“What is not found here will not be found
anywhere
else… What is found anywhere else can also be found here."
- Veda Vyasa about Mahabharata
Reading the Mahabharata is a very unique experience.
Everything you have ever read before dims a bit in front of the grandeur and
complexity of the epic. Although it is generally seen as a Hindu myth, it is a
misconception that Mahabharata can only be read and understood by people with
prior knowledge of Hinduism. The truth is that religion is something you run
into in the epic only if you are specifically looking for it. And the beauty of
Mahabharata is as much (if not more) about its narrative as it is about the
spirituality in it.
It is not very unusual to see people who've read the epic trying to tell its stories to anyone who is patient enough to listen. But that is not enough either. The characters in Mahabharata give you thoughtful days and sleepless nights for weeks. They taunt you and confuse you about what is right and what is wrong. You end up questioning the very basic notions of dharma and righteousness you have in your head. You forget who the villain is and who the hero is.
While it may seem clear enough that the Pandavas are the good guys and the Kauravas the villains, it really isn't a simple black and white canvas like that. When you think from the point of view of different characters in the epic, you may find it hard to blame them for the way they acted. Essentially speaking, there are hardly any characters in the epic who are painted in a single shade.
Another surprising thing is the difficulty for us readers to find a central character. But this is because of the brilliance of the story telling rather than it being a shortcoming. (Technically Vyasa Maharishi is the central figure as the author is also a character in the story. But he only appears sparingly and is usually with the air of an observer). You can assume any character as the central figure and try to understand Mahabharata from their view point. In fact, if we view the events in the epics with the eyes of a different character, the entire tone and hue of the narrative changes.
Maybe that is the reason why there are so many re-tellings of Mahabharata by brilliant authors from varied POVs. M.T Vasudevan Nair’s Randam Oozham (Second-in-line) sees the epic as Bheema understands it. The lack of appreciation which people have for Bheema and him being forever over looked when it comes to important decisions, is beautifully brought out in the book by M.T. “Ini Njan Urangatte (Let me rest now) written by P.K Balakrishnan is another brilliant work where Karnan is the central character. The unsung hero of Mahabharata, the one who is always insulted in spite of him being a great warrior and a great Kshatriya, is beautifully portrayed in this work. “Palace of Illusions” written by Chitra Banerjee takes a bold feminist view of Mahabharata by re-telling the epic from Draupadi’s point of view. And if it is a general idea that you want of Mahabharata you can always opt for C Rajagopalachari’s “Mahabharata” or Devdutt Pattanaik’s “Jaya”.
The most famous excerpt from Mahabharata is, of course, the conversation between Krishna and Arjuna just before the commencement of the Kurukshetra war. This entire conversation, The Bhagavad Gita, is revered by many as the most important discourse of Hindu philosophy. The essence of all the four Vedas and their corresponding Upanishads is said to be conveyed through Gita. It is surprising that many of my Hindu friends are still unaware of the fact that Gita is a part of Mahabharata. It might not be far-fetched to say that Gita is also a composition which should be credited to Vyasa Maharishi.
When the westerners (read British) encountered Mahabharata for the first time, it was hard for them to accept the fact that an epic of such proportions could be written by an individual. There was an attempt to try and downplay the Magnum Opus of Vyasa Maharishi by claiming that Mahabharata was, in fact, a collection of works by many authors. However such a blatant lie couldn't be made to take root even with the infinite resources at the disposal of the Englishmen. Krishna-dvaipayana (Vyasa Maharishi’s real name; Vyasa means the one who scribed Vedas) is now undeniably recognized as the author of Mahabharata.
It is not very unusual to see people who've read the epic trying to tell its stories to anyone who is patient enough to listen. But that is not enough either. The characters in Mahabharata give you thoughtful days and sleepless nights for weeks. They taunt you and confuse you about what is right and what is wrong. You end up questioning the very basic notions of dharma and righteousness you have in your head. You forget who the villain is and who the hero is.
While it may seem clear enough that the Pandavas are the good guys and the Kauravas the villains, it really isn't a simple black and white canvas like that. When you think from the point of view of different characters in the epic, you may find it hard to blame them for the way they acted. Essentially speaking, there are hardly any characters in the epic who are painted in a single shade.
Another surprising thing is the difficulty for us readers to find a central character. But this is because of the brilliance of the story telling rather than it being a shortcoming. (Technically Vyasa Maharishi is the central figure as the author is also a character in the story. But he only appears sparingly and is usually with the air of an observer). You can assume any character as the central figure and try to understand Mahabharata from their view point. In fact, if we view the events in the epics with the eyes of a different character, the entire tone and hue of the narrative changes.
Maybe that is the reason why there are so many re-tellings of Mahabharata by brilliant authors from varied POVs. M.T Vasudevan Nair’s Randam Oozham (Second-in-line) sees the epic as Bheema understands it. The lack of appreciation which people have for Bheema and him being forever over looked when it comes to important decisions, is beautifully brought out in the book by M.T. “Ini Njan Urangatte (Let me rest now) written by P.K Balakrishnan is another brilliant work where Karnan is the central character. The unsung hero of Mahabharata, the one who is always insulted in spite of him being a great warrior and a great Kshatriya, is beautifully portrayed in this work. “Palace of Illusions” written by Chitra Banerjee takes a bold feminist view of Mahabharata by re-telling the epic from Draupadi’s point of view. And if it is a general idea that you want of Mahabharata you can always opt for C Rajagopalachari’s “Mahabharata” or Devdutt Pattanaik’s “Jaya”.
The most famous excerpt from Mahabharata is, of course, the conversation between Krishna and Arjuna just before the commencement of the Kurukshetra war. This entire conversation, The Bhagavad Gita, is revered by many as the most important discourse of Hindu philosophy. The essence of all the four Vedas and their corresponding Upanishads is said to be conveyed through Gita. It is surprising that many of my Hindu friends are still unaware of the fact that Gita is a part of Mahabharata. It might not be far-fetched to say that Gita is also a composition which should be credited to Vyasa Maharishi.
When the westerners (read British) encountered Mahabharata for the first time, it was hard for them to accept the fact that an epic of such proportions could be written by an individual. There was an attempt to try and downplay the Magnum Opus of Vyasa Maharishi by claiming that Mahabharata was, in fact, a collection of works by many authors. However such a blatant lie couldn't be made to take root even with the infinite resources at the disposal of the Englishmen. Krishna-dvaipayana (Vyasa Maharishi’s real name; Vyasa means the one who scribed Vedas) is now undeniably recognized as the author of Mahabharata.
Before I stop, I need to make an appeal to everyone who is reading this. Read Mahabharata. As much as I appreciate the brilliant works of literature by all the foreign authors, none has affected me the way Mahabharata did. You will start to feel like every story you have ever read has a comparable narrative somewhere within Mahabharata. I have heard that the very purpose for Vyasa Maharishi to write the epic was to bring the idea of righteousness and dharma to the masses. After you read the epic, you will be filled with a lot of questions. Only after a focused introspection will you be able to get some closure. This is the greatest strength of the tale. It is shocking to see how the ideas he tried to bring forward centuries ago, remain relevant to this day.
Read Mahabharata. It will change the way you see the world forever.